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| 1 |
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| ISBN: | 0-472-06950-0 |
| Naslov: | Staging philosophy : intersections of theater, performance, and philosophy / edited by David Krasner and David Z. Saltz |
| Impresum: | Ann Arbor : University of Michigan Press , dcop. 2006 |
| Materijalni opis: | 334 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Theater--theory/text/performance |
| Napomena: | Zastupljeni autori: Walker, Julia A. ; Puchner, MArtin ; Nellhaus, Tobin ; Auslander, Philip ; Carroll, Noel ; Jaeger, Suzanne M. ; Crease, Robert P. ; Lutterbie, John ; Erickson, Jon ; Rayner, Alice ; Saltz, David Z. ; Hamilton, james T. ; Nanay, Bence ; Sell, Mike ; Quinn, Michael L. |
| Ključne riječi: | izvedbene umjetnosti -- sociološko gledište * izvedbene umjetnosti -- filozofija |
| Sažetak: | David Krasner and David Z. Saltz, Introduction. -Part I: History and Method. -1 Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide. -2 Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance. -3 Tobin Nellhaus, Critical Realism and Performance Strategies Part II: Presence. -4 Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance. -5 Noel Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality. -6 Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Reconsidered. -7 Jon Erickson, Presence. -8 Robert P. Crease and John Lutterbie, Technique. -9 Alice Rayner, Presenting Objects, Presenting Things. -Part III: Reception. -10 David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance. -11 James R. Hamilton, Understanding Plays. -12 Bence Nanay, Perception, Action, and Identification in the Theater. -13 David Krasner, Empathy and Theater. -14 Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism. -15 Michael L. Quinn, Theatricality, Convention, and the Principle of Charity |
| UDK: | 793:1 * 792:1 |
| Ostali autori / urednici: | Krasner, David ; Saltz, David Z. |
| Namjena : | doktorski studij književnosti |
| Signatura: | 792(08) STAG |
| Inventarni broj: | III-3746 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9263 |
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| 2 |
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| ISBN: | 0-299-14944-7 |
| Naslov: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Wi. : The University of Wisconsin Press , cop. 1996 |
| Materijalni opis: | xviii, 564 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Wisconsin studies in film |
| Napomena: | Str. 553-560: Bibliografija. - Kazalo |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Ostali autori / urednici: | Bordwell, David |
| Namjena : | poslijediplomski studij književnosti |
| Signatura: | 791.43 POST |
| Inventarni broj: | III-1453 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6914 |
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| 3 |
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| ISBN: | 0-299-14944-7 |
| Naslov: | Post-theory : reconstructing Film Studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Wi. : The University of Wisconsin Press , cop. 1996 |
| Materijalni opis: | 564 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Wisconsin studies in film |
| Napomena: | Str. 553-560: Bibliografija. - Kazalo |
| Ključne riječi: | teorija filma * film |
| UDK: | 791.43.01 |
| Ostali autori / urednici: | Bordwell, David |
| Signatura: | 791.43 POS |
| Inventarni broj: | 98/98 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3811 |
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| 4 |
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| ISBN: | 978-1-4051-2025-8 |
| Autor(i): | Carroll, Noëll |
| Naslov: | The philosophy of motion pictures / Noël Carroll |
| Impresum: | Malden [etc.] : Blackwell Publishing , cop. 2008 |
| Materijalni opis: | viii, 241 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Foundations of the philosophy of the arts |
| Napomena: | Str. 227-232: Bibliografija. - Kazalo |
| Ključne riječi: | filmska umjetnost -- filozofija * filozofija filma |
| Sažetak: | Introduction: from film theory to the philosophy of the moving image. -1. Film as art. -2. Medium specificity. -3. What is cinema?. -4. The moving picture - the shot. -5. Moving images - cinematic sequencing and narration. -6. Affect and the moving image. -7. Evaluation |
| UDK: | 791.43:1 |
| Namjena : | doktorski studij književnosti |
| Signatura: | 791.43 CAR P |
| Inventarni broj: | III-3695, III-3908, III-3940 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9131 |
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| 5 |
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| ISSN: | 1330-7665 |
| Autor: | Carroll, Noël |
| Naslov: | Prema teoriji filmske montaže |
| Matična publikacija: | Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - God. 7 (2001), br. 25; str. 3-12 |
| Impresum: | Zagreb : Hrvatsko društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik) |
| Sažetak: | Editing is a form of communication based on the cut, which encourages the viewer to infer the meaning of a sequence of shots finding the vest possible esplanation for the sequence. The grounds for inference are varies and numerous. They include several types of narrative considerations, sensuous and thematic comparisons and contrasts, as well as linguistic and conceptual evocations. These grounds werve as inductive premises, whish, when combined with the particularities of the film itself and its broader historical context, yield hypotheses about the meaning of the shot linkages. The viewer may have to sift through his repertoire of inductive strategies to unravel the sequence; this search is predicated on postulating the most coherent account of the film material. In cases where editing defies traditional methods of induction, in order to explain it, the viewer will have to observe how the given shot chain relates to the film history, as its possible amplification of repudiation of more entrenched practices. In order to interpret the editing, he will also have to use his cultural knowledge. The viewer will not read the explanation, but infer it. Where he can find no explanation, he will label the editing as senseless of mistake. The author offers his explanation from the perspective of the spectator who is a member of the circuit of communication. This approach places the responsibility for the use of cutting to elicit inferences from the spectator on the film-maker. Most authors will demand an even heavier responsibility. Namely, they are determined to elicit a specific, preprdained comprehension of the shot chain. However, it is probably not necessary to have an intended meaning to communicate for a cut to ve a successful piece of editing. Some shot interpolations may suggest inferences that the author had not planned. Nevertheless, in most cases, the author manages to convey the intended message. How is that possible? This model claims that the film author and the viewer are members of the same institution of world cinema, share the same bases for induction, moreover, they belong to the same twentieth-century world culture. |
| Ključne riječi: | montaža * film * teorija filma |
| UDK: | 791.43.01 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6898 |
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| 6 |
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| ISBN: | 0-19-815988-9 |
| Autor: | Carroll, Noëll |
| Naslov: | Fiction, non-fiction, and the film of presumptive assertion : a cenceptual analysis |
| Matična publikacija: | Film theory and philosophy / edited by Richard Allen and Murray Smith; str. 172-202 |
| Impresum: | Oxford : Clarendon Press ; New York : Oxford University Press, 1997 |
| Napomena: | Bibliografske bilješke |
| Ključne riječi: | teorija filma -- filozofija * igrani film -- filozofija |
| UDK: | 791.43:1 |
| Signatura | 791.43 FILMT |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 24145 |
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| 7 |
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| ISBN: | 0-521-78805-6 |
| Autor: | Carroll, Noël |
| Naslov: | Art, narrative, and moral understanding |
| Matična publikacija: | Aesthetics and ethics : essays at the intersection / edited by Jerrold Levinson; str. 126-160 |
| Impresum: | Cambridge, U.K. ; New York : Cambridge University Press, 1998 |
| Napomena: | Bibliografske bilješke |
| Ključne riječi: | estetika * etika |
| UDK: | 111.852:17 |
| Signatura | 111.852 AEST |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 25499 |
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| 8 |
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| 9 |
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| ISSN: | 1330-7665 |
| Autor: | Carroll, Noël |
| Naslov: | Filmska forma : u obranu funkcionalne teorije stila u individualnom filmu |
| Matična publikacija: | Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - God. 6 (2000), br. 24; str. 163- |
| Impresum: | Zagreb : Hrvatsko društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik) |
| Ključne riječi: | stil * film * teorija filma |
| UDK: | 791.43.01 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6897 |
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| 10 |
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| ISSN: | 0333-5372 |
| Autor: | Carroll, Noel |
| Naslov: | Toward a theory of point-of-view editing : communication, emotion, and the movies |
| Matična publikacija: | Poetics today. - 1993, no. 1; pg. 123- |
| Ključne riječi: | komunikacija |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3713 |
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| 11 |
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| ISBN: | 0-521-46607-5 |
| Autor(i): | Carroll, Noël |
| Naslov: | Theorizing the moving image / Noël Carroll |
| Impresum: | Cambridge ; New York : ambridge University Press , 1996 |
| Materijalni opis: | xix, 426 str. ; 26 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Cambridge studies in film |
| Napomena: | Bibliografske bilješke iza pojedinih poglavlja. - Kazalo |
| Ključne riječi: | filozofija filma * filmska umjetnost -- filozofija * televizija -- filozofija * televizijski prijenosi |
| Sažetak: | Part I. Questioning Media: 1. Medium specificity arguments and the self-consciously invented arts ; 2. The specificity of media in the arts ; 3. Concerning uniqueness claims for photographic and cinematographic representation ; 4. Defining the moving image. -Part II. Popular Film and TV: 5. The power of movies ; 6. Toward a theory of film suspense ; 7. As the dial turns: notes on soap operas ; 8. Toward a theory of point of view editing ; 9. Notes on movie music ; 10. Notes on the sight gag. -Part III. Avant-garde and Documentary Film: 11. Avant-garde film and film theory ; 12. Causation, the amplification of movement and the avant-garde film ; 13. Language and cinema: preliminary notes for a theory of verbal images ; 14. A note on film metaphor ; 15. From real to reel: entangled in non-fiction film ; 16. Reply to Carol Browson and Jack C. Wolf. -Part IV. Ideology: 17. The image of women in film: a defense of a paradigm ; 18. Film, rhetoric and ideology. -Part V. The History of Film Theory: 19. Film/mind analogies: the case of Hugo Munsterberg ; 20. Hans Richter's Struggle for Film ; 21. A brief note on Frampton's notion of metahistory. -Part VI. Polemical Exchanges: 22. Cognitivism, contemporary film theory and method ; 23. Cracks in the acoustic mirror ; 24. A reply to Heath ; 25. Replies to Jennifer Hammett and Richard Allen. -Part VII. False Starts: 26. Film history and film theory , 27. Art, film and ideology ; 28. Toward a theory of film editing |
| UDK: | 791.43:1 |
| Namjena : | doktorski studij književnosti |
| Signatura: | 791.43 CAR T |
| Inventarni broj: | III-3720, III-3721 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9169 |
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| 12 |
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| ISBN: | 0-415-15964-4 |
| Autor(i): | Carroll, Noël |
| Naslov: | Philosophy of art : a contemporary introduction / Noël Carroll |
| Impresum: | London ; New York : Routledge , cop. 1999 |
| Materijalni opis: | [xii], 273 str. ; 24 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Routledge contemporary introductions to philosophy |
| Napomena: | Kazalo |
| Ključne riječi: | filozofija umjetnosti |
| UDK: | 130.2 |
| Namjena : | doktorski studij književnosti |
| Signatura: | 130.2 CARR P |
| Inventarni broj: | III-3344 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8915 |
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| 13 |
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| ISBN: | 0-299-16354-7 |
| Naslov: | Theories of art today / edited by Noël Carroll |
| Impresum: | Madison, Wis. : University of Wisconsin Press , cop. 2000 |
| Materijalni opis: | vi, 268 str. ; 24 cm |
| Jezik: | engleski |
| Napomena: | Zastupljeni autori: Gaut, Berys ; Stecker, Robert ; Anderson, James C. ; Dickie, George ; Mergolis, Joseph ; Danto, Arthur C. ; Eaton, Marcia Muelder ; Bailey, George W. S. ; Brand, Peg Zeglin ; Davies, Stephen ; Dutton, Denis. - Str. 241-262: Bibliografija. - Kazalo |
| Ključne riječi: | teorija umjetnosti * umjetnost -- teorija |
| UDK: | 7.01 |
| Ostali autori / urednici: | Carroll, Noël |
| Namjena : | doktorski studij književnosti |
| Signatura: | 7.01 THE |
| Inventarni broj: | III-3343 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8914 |
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| 14 |
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| ISBN: | 0-300-09195-8 |
| Autor(i): | Carroll, Noël |
| Naslov: | Engaging the moving image / Noël Carroll |
| Impresum: | New Haven : Yale University Press , cop. 2003 |
| Materijalni opis: | xxv, 420 str. ; 24 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Yale series in the philosophy and theory of art |
| Napomena: | Bibliografske biješke uz poglavlja. - Kazalo |
| Ključne riječi: | filozofija filma * igrani film |
| Sažetak: | Foreword by George Wilson, ix. -Introduction, xxi. -1 Forget the Medium! 1. -2 Film, Attention, and Communication: A Naturalistic Account, 10. -3 Film, Emotion, and Genre, 59. -4 Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor, 88. -5 Is the Medium a (Moral) Message? 108. -6 Film Form: An Argument for a Functional Theory of Style in the Individual Film, 127. -7 Introducing Film Evaluation, 147. -8 Nonfiction Film and Postmodernist Skepticism, 165. -9 Fiction, Nonfiction, and the Film of Presumptive Assertion: Conceptual Analyses, 193. -10 Photographic Traces and Documentary Films: Comments for Gregory Currie, 225. -11 Toward a Definition of Moving-Picture Dance, 234. -12 The Essence of Cinema? 255. -13 TV and Film: A Philosophical Perspective, 265. -14 Kracauer's Theory ofFilm, 228. -15 Cinematic Nation Building: Eisenstein's The Old and theNew, 303. -16 The Professional Western: South of the Border, 323. -17 Moving and Moving: From Minimalism to Lives of Performers, 345. -18 Prospects for Film Theory: A Personal Assessment, 357 |
| UDK: | 791.43.01 |
| Namjena : | doktorski studiji književnosti |
| Signatura: | 791.43 CAR E |
| Inventarni broj: | III-3276, III-3907 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8742 |
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| 15 |
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| ISBN: | 0-521-78656-8 |
| Autor(i): | Carroll, Noël |
| Naslov: | Beyond aesthetics : philosophical essays / Noel Carroll |
| Impresum: | Cambridge [etc.] : Cambridge University Press , 2001 |
| Materijalni opis: | xiv, 450 str. ; 23 cm |
| Jezik: | engleski |
| Napomena: | Str. 395-442: Bibliografija. - Kazalo |
| Ključne riječi: | filozofija umjetnosti * estetika * umjetnost -- filozofija |
| Sažetak: | Foreword / Peter Kirvy. -Introduction. -Part I. Beyond Aesthetics: 1. Art and interaction. -2. Beauty and genealogy of art theory. -3. Four concepts of aesthetic experience. -Part II. Art, History, and Narrative: 4. Art, practice, and narrative. -5. Identifying art. -6. Historical narratives and the philosophy of art. -7. On the narrative connection. -8. Interpretation, history and narrative. -Part III. Interpretation and Intention: 9. Art, intention, and conversation. -10. Anglo-American aesthetics and contemporary criticism: intention and the hermeneutics of suspicion. -11. The intention of fallacy: defending myself. -12. Intention and interpretation: the debate between hypothetical and actual intentionalism. -Part IV. Art, Emotion, and Morality: 13. Art, narrative, and emotion. -14. Horror and humor. -15. The paradox of suspense. -16. Art, narrative, and moral understanding. -17. Moderate moralism. -18. Simulation, emotions, and morality. -Part V. Alternative Topics: 19. On jokes. -20. The paradox of junk fiction. -21. Visual metaphor. -22. On being moved by nature. -23. Emotion, appreciation, and nature |
| UDK: | 130.2 * 111.852 * 7.01:1 |
| Namjena : | doktorski studij književnosti |
| Signatura: | 130.2 CARR B |
| Inventarni broj: | III-3184, III-3904 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8627 |
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| 16 |
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| 17 |
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| 18 |
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| ISBN: | 0-520-21603-2 |
| Autor: | Carroll, Noël |
| Naslov: | Nightmare and the horror film : the symbolic biology of fantastic beings |
| Matična publikacija: | Film quarterly : forty years, a selection / edited by Brian Henderson and Ann Martin, with Lee Amazonas; str. 158-174 |
| Impresum: | Berkeley : University of California Press, cop. 1999 |
| Napomena: | Bibliografske bilješke |
| Ključne riječi: | filmski žanrovi -- film strave |
| UDK: | 791.43.01 |
| Signatura | 791.43 FILQ |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 24660 |
|
| 19 |
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| ISBN: | 1-4051-0582-8 |
| Autor: | Carroll, Noël |
| Naslov: | The power of movies |
| Matična publikacija: | Aesthetics and the philosophy of art : the analytic tradition : an anthology / edited by Peter Lamarque and Stein Haugom Olsen; str. 485-497 |
| Impresum: | Malden, MA : Blackwell Pub., cop. 2004 |
| Napomena: | Bibliografske bilješke |
| Ključne riječi: | popularna umjetnost -- film |
| UDK: | 130.2:791.43.01 |
| Signatura | 111.852 AESP |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 24550 |
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| 20 |
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| ISBN: | 0-8018-6011-3 |
| Autor: | Carroll, Noël |
| Naslov: | Film, emotion, and genre |
| Matična publikacija: | Passionate views : film, cognition, and emotion / edited by Carl Plantinga and Greg M. Smith; str. 21-47 |
| Impresum: | Baltimore ; London : The Johns Hopkins Univeristy Press, cop. 1999 |
| Napomena: | I. Kinds of films, kinds of emotions |
| Ključne riječi: | film i emocije |
| UDK: | 791.43 |
| Signatura | 791.43 PASS |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 22478 |
|
| 21 |
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| ISBN: | 0-415-23562-6 |
| Autor: | Carroll, Noël |
| Naslov: | Why horror? |
| Matična publikacija: | Horror, the film reader / edited by Mark Jancovich; str. 25-32 |
| Impresum: | London ; New York : Routledge, cop. 2002 |
| Ključne riječi: | filmski žanrovi - film strave |
| UDK: | 791.43 |
| Signatura | 791.43 HORR |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 15818 |
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| 22 |
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| ISBN: | 0-7185-0082-2 |
| Autor: | Carroll, Noel |
| Naslov: | The philosophy of horror [extracts] |
| Matična publikacija: | Reading popular narrative : a source book / edited by Bob Ashley; pp 182-188 |
| Impresum: | London ; Washington : Leicester University Press, cop. 1997 |
| Ključne riječi: | strava |
| UDK: | 159.9 |
| Signatura | 82.09 REA |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 15295 |
|
| 23 |
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| ISBN: | 0-299-14944-7 |
| Autor: | Carroll, Noël |
| Naslov: | Nonfiction film and postmodernistic skepticism |
| Matična publikacija: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Win. : The University of Wisconsin Press, cop. 1996 |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Signatura | 791.43 POS |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9393 |
|
| 24 |
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| ISBN: | 0-299-14944-7 |
| Autor: | Carroll, Noël |
| Naslov: | Prospects for film theory : a personal assessment |
| Matična publikacija: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Win. : The University of Wisconsin Press, cop. 1996 |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Signatura | 791.43 POS |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9382 |
|
| 25 |
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| ISBN: | 1-56639-346-9 |
| Autor: | Carroll, Noël |
| Naslov: | Art, intention, and conversation |
| Matična publikacija: | Intention and interpretation / edited by Gary Iseminger; str. 97-131 |
| Impresum: | Philadelphia : Temple University Press, 1992 |
| Napomena: | Bibliografske bilješke |
| UDK: | 82.0 |
| Signatura | 82.0 INTI |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 25512 |
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| 26 |
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| ISBN: | 1-4051-2027-4 |
| Naslov: | Philosophy of film and motion pictures : an anthology / edited by Noël Carroll and Jinhee Choi |
| Impresum: | Malden [etc.] : Blackwell Publishing , 2006 |
| Materijalni opis: | x, 430 str. ; 25 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Blackwell philosophy anthologies |
| Napomena: | Bibliografske bilješke uz poglavlja |
| Ključne riječi: | filozofija filma * igrani film |
| Sažetak: | <Scruton, Roger>, Photography and representation. -<Lopes, Dominic, McIver>, The aesthetics of photographic transparency. -<Rafferty, Terrence>, Everybody gets a cut. -<Cavell, Stanley>, From the world viewed. -<Langer, Susanne K.>, A note on the film. -<Sparshott, F. E.>, Vision and dream in the cinema. -<Currie, Gregory>, The long goodbye. -<Danto, Arthur C.>, Moving pictures. -<Carroll, Noël>, Defining the moving image. -<Currie, Gregory>, Visible traces. -<Carroll, Noël>, Fiction, non-fiction, and the film of presumptive assumption. -<Wilson, George M.>, Le grand imagier steps out. -<Currie, Gregory>, Unreliability refigured. -<Carroll, Noël>, Film, emotion, and genre. -<Walton, Kendall>, Fearing fictions. -<Neill, Alex>, Empathy and (film) fiction. -<Gaut, Berys>, Identification and emotion in narrative film. -<Knight, Deborah>, In fictional shoes. -<Wilson, George M.>, Morals for method. -<Livingston, Paisley>, Cinematic authorship. -<Choi, Jinhee>, National cinema. -<Kupfer, Joseph H.>, Film criticism and virtue theory. -<Devereaux, Mary>, Beauty and evil. -<Vadas, Melinda>, A first look at the pornography/civil rights ordinance. -<Russell, Bruce>, The philosophical limits of film. -<Hanson, Karen>, Minerva in the movies. -<Hunt, Lester, H.>, Film as a philosophical resource |
| UDK: | 791.43.01(082):1 |
| Ostali autori / urednici: | Carroll, Noël ; Choi, Jinhee |
| Namjena : | doktorski studij književnosti |
| Signatura: | 791.43 PHI |
| Inventarni broj: | III-3274, III-3906, III-3910 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8740 |
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Upit: PersonalName_swish=(Carroll Noel ) |